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 Sally Goodin de Misc Country

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Sally Goodin - Misc Country sur Guitariff.net
Path: hydra.acs.ttu.edu!hermes.chpc.utexas.edu!cs.utexas.edu!not-for-mail Newsgroups: alt.guitar.tab Organization: UTexas Mail-to-News Gateway Lines: 111 Sender: daemon@cs.utexas.edu Message-ID: A934D606@fbpmac.msfc.nasa.gov> NNTP-Posting-Host: cs.utexas.edu Hi Here's TAB for Sally Goodin, a traditional fiddle tune, and a Texas-style/Western Swing accompaniment for it. This is from the article "Swinging With Sally Goodin" by Jim Wood, from the Sept/Oct 1990 issue of Acoustic Guitar magazine. I have TABbed the melody as if it were played in G The accompaniment is in A, though, so you'll have to capo at the second fret to make the melody work with the accompaniment. It's in 2/4. G each "|" above the staff represents an eighth note. Sally Goodin (traditional) arr. Jim Wood, TAB by Bo Parker bo_parker@fbpmac.msfc.nasa.gov Melody: (Don't worry about the chord symbols - fingerings are given below. D#o7 means D# diminished 7th.) A A9/C# D D#o7 A A#o7 Bm7 E7 | | | | | | | | | | | | | | | | |-----------------|-----------------|-----------------|-----------------| |---0---0---------|---0-------------|---0---0---------|-----------------| |-0---2---0---0-0-|-0---2-0---0-0-0-|-0---2---0-2-0---|-----------0-0-0-| |-----------------|---------2-------|---------------2-|-0---0-0-2-------| |-----------------|-----------------|-----------------|-----------------| |-----------------|-----------------|-----------------|-----------------| | A A9/C# D D#o7 E7 F#m E7/G# A | | | | | | | | | | | | | | | | |-----------------|-----------------|-----------------|-----------------| |---0---0---------|---0-------------|---0---0---------|-----------------| |-0---2---0---0-0-|-0---2-0---0-0-0-|-0---2---0-2-0---|-----------0-0-0-| |-----------------|---------2-------|---------------2-|-0---0-0-2-------| |-----------------|-----------------|-----------------|-----------------| |-----------------|-----------------|-----------------|-----------------| A A7/G D/F# Dm/F A/E D#o7 E7/D E7/B | | | | | | | | | | | | | | | | |-----------------|---3-0-----------|---3-0-----------|-----------------| |-----0-1-3---3-3-|-3-----3-0-3-3-3-|-3-----3-0-------|-----------------| |-0-2-------------|-----------------|-----------2-0---|-----------0-0-0-| |-----------------|-----------------|---------------2-|-0---0-0-2-------| |-----------------|-----------------|-----------------|-----------------| |-----------------|-----------------|-----------------|-----------------| A A9/C# D D#o7 E7 E7/B E7/G# A | | | | | | | | | | | | | | | | |-----------------|---3-0-----------|---3-0-----------|-----------------| |-----0-1-3---3-3-|-3-----3-0-3-3-3-|-3-----3-0-------|-----------------| |-0-2-------------|-----------------|-----------2-0---|-----------0-0-0-| |-----------------|-----------------|---------------2-|-0---0-0-2-------| |-----------------|-----------------|-----------------|-----------------| |-----------------|-----------------|-----------------|-----------------| OK - now the accompaniment. Note the nice walking bass lines. The whole thing is done bass-strum, bass-strum, etc. A A9/C# D D#o7 A A#o7 Bm7 E7 | | | | | | | | | | | | | | | | |-----------------|-----2-------2---|-----------------|-----2-------0---| |-----2-------5---|-----3-------1---|-----2-------2---|-----3-------0---| |-----2-------4---|-----2-------2---|-----2-------0---|-----2-------1---| |-----2-------5---|-0-------1-------|-----2-------2---|----(0)------0---| |-0-------4-------|-----------------|-0-------1-------|-2-----------2---| |-----------------|-----------------|-----------------|---------0-------| A A9/C# D D#o7 E7 F#m E7/G# A | | | | | | | | | | | | | | | | |-----------------|-----2-------2---|-----3-------5---|-----7-------5---| |-----2-------5---|-----3-------1---|-----3-------5---|-----5-------5---| |-----2-------4---|-----2-------2---|-----4-------6---|-----7-------6---| |-----2-------5---|-0-------1-------|-2-------4-------|-6-------7-------| |-0-------4-------|-----------------|-----------------|-----------------| |-----------------|-----------------|-----------------|-----------------| A A7/G D/F# Dm/F A/E D#o7 E7/D E7/B | | | | | | | | | | | | | | | | |-----5-------5---|-----------------|-----------------|-------------0---| |-----5-------5---|-----7-------6---|-----5-------7---|-----5-------0---| |-----6-------6---|-----7-------7---|-----6-------5---|-----4-------1---| |-7-------5-------|-----7-------7---|-----7-------7---|-----6-------0---| |-----------------|-9-------8-------|-7-------6-------|-5-------2-------| |-----------------|-----------------|-----------------|-----------------| A A9/C# D D#o7 E7 E7/B E7/G# A | | | | | | | | | | | | | | | | |-----------------|-----2-------2---|-----------------|-----------------| |-----2-------5---|-----3-------1---|-----5-------5---|-----3-------2---| |-----2-------4---|-----2-------2---|-----7-------7---|-----4-------2---| |-----2-------5---|-0-------1-------|-----6-------6---|-----2-------2---| |-0-------4-------|-----------------|-7---------------|---------0-------| |-----------------|-----------------|---------7-------|-4---------------| Enjoy! See ya -Bo Parker bo_parker@fbpmac.msfc.nasa.gov I do not speak for my employer, whoever that is. ``Squid eating dough in a polyethylene bag is fast & bulbous.'' ``Got me?''